I’ve been counting anniversaries a lot this year. 2014 is the 15th year since I’ve fallen in love with the band that changed my perspective, X-JAPAN.
Thinking back, there are many firsts that I can count that are related to X.
- ‘Forever Love’ was the first song I downloaded from mIRC
- First MV I searched for to watch was ‘Endless Rain’
- First time I went to watch a movie (Windstruck) solely because of the ending song ‘Tears’
- First celebrity that I researched online to find out about their history
- First time I wrote to the radio station’s Japanese music program to request for a X special, and sending them all my research (I almost went on air as a guest, but I chickened out)
- ‘Forever Love’ was the first song I tried to memorise the lyrics for by searching for the romanisation
- Their ‘Perfect Best’ CD box set was also the first, and only, box set I have.
When I bought the ‘Perfect Best’ box set, I played it so often that I could memorise the order of the song, and I could recognize the song just from the opening few lines of music. The 2 CDs, together with Luna Sea’s compilation album, were always in my CD booklet that I carried around. I was always plugged into my Walkman and secretly hated meeting a classmate on the way to & from school, because I had to pause the music and socialize.
I’ve talked about X before, and even till now, I’m still impressed at the amount of strength & determination that is inside someone so seemingly vulnerable as yoshiki. Someone who is soft spoken, loves to giggle, and is so polite that he finds it hard to reject if you ask him more than once. Even when he gets mad, he’s adorable. But when it comes to music, the focus and the perfectionism shines through the roof. It was the most obvious when they were in the midst of their fifth, and what turned out to be the final, album “Dahlia”. The album took 3 years to write, record and produce, because yoshiki was tweaking it so much.
Enough about yoshiki. Even though yoshiki is definitely the soul of X, I love the band, not just him. Their creativity and songwriting skills were impressive, as well as their arrangement capabilities. I was 16 when I first listened to ‘Forever Love’ and toshi’s voice is nasal yet not annoyingly so, and the music was just enchanting. I was totally caught up in the melody, picturing it with the manga I was reading. X-1999 by CLAMP was what introduced me to X, if anyone really wants to know. It was the first time I realised how powerful music really is, the ability to pull you into a scenario and fire your imagination and emotions. It also struck me how important the vocalist / the voice really is. I didn’t understand the lyrics, didn’t know what it meant, but toshi’s voice matched the music so well, it’s like an instrument in itself, part of the entire arrangement. It was the first time that I realised that lyrics is not everything. You do not need lyrics to feel the emotions and message of a song, if it’s well written. This also set the foundation of my music taste till now.
The variety of music that they write is also another defining factor. Their styles range from various styles of metal, to classical, to acoustic, collaborations with philharmonic orchestras, purely piano ballads; it’s just simply amazing the range that they display. The tempo changes drastically mid-song in ‘Silent Jealousy’ and ‘Kurenai’; including even a short excerpt of ‘Swan Lake’ in ‘Silent Jealousy’.. They released a 30 min long single with one song, ‘Art of Life’, a song which brings you through various emotions
But what I really truly love about them, is that they are rebels. True rebels through and through. Why else would you persist in this pioneering road of visual kei in conservative Japan? KISS is acceptable, but only because they are gaijin, or foreigners. X is not. They are true blue Japanese. All that dressing up as Victorian chicks with long wavy hair and copious amounts of make-up was simply unfathomable to the Japanese, especially the media. But still, they sold albums. Amid all the hate, they sold tens of millions of albums, leaving those Japanese press with no choice but to grant them interviews. No major label wanted them, so they released their albums as an independent label. And they still sold albums. They write songs about sex and death and other taboo / unorthodox topics that were touchy in Japan. Yet they still sold albums.
I’m still waiting for the day I get to see them in Singapore. L’arc-en-ciel has been here. Luna Sea has been here. When will it be X? Every time I remember the Taiwan concert I went to, the emotions I felt when I was shouting WE ARE X!… I just wish I get to see them again, soon!
p/s. This post is posted today, because it is hide’s death anniversary today.
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